Appalachian Gateway: An Anthology of Contemporary Stories and Poetry
Format: PDF / Kindle (mobi) / ePub
These works encompass a variety of themes that, collectively, capture the essence of Appalachia: love of the land, family ties, and the struggle to blend progress with heritage. Readers will enjoy this book not just for the innate value of good literature but also for the insights it provides into this fascinating area. This book of fiction is an enlightening companion to non-fiction overviews of the region, including the Encyclopedia of Appalachia and A Handbook to Appalachia: An Introduction to the Region, both published by the University of Tennessee Press in 2006. In fact the five sections of this book are the same as those of the Encyclopedia.
Educators and students will find this book especially appropriate for courses in creative writing, Appalachian studies and Appalachian literature. Editor George Brosi’s foreword presents an historical overview of Appalachian Literature, while Kate Egerton and Morgan Cottrell’s afterword offers a helpful guide for studying Appalachian literature in a classroom setting.
Kate Egerton is an associate professor of English at Berea College. She has taught Appalachian literature and published scholarship in that field as well as in modern drama.
Samantha Cole majored in Appalachian Studies and worked for Appalachian Heritage while a student at Berea College. Morgan Cottrell is a West Virginia native who took Kate Egerton's Appalachian literature class at Berea College.
grown up around the truck like it had been parked there all summer. When I was a kid Grandpa kept the driveway neat as a golf course. But T.J. had covered up the old drive and made a road to his trailer park. He was always bringing in trucks and building more spaces for trailers. I could hear a bullnoser somewhere up there grading, way on back of the Knob. I took T.J.’s road across the little creek and up the hill to the mailbox. Grandpa had a little bridge there, and it was the perfect place
a writer and administrator. In 1986 his first novel, Back to Malachi, was published as a Cherokee-themed Doubleday hardcover western, followed in that decade by seven more popular Cherokee westerns. Early in his career Conley remembers a New York editor telling him that the country wasn’t ready for a western novel with an Indian hero and asking for a book whose Indian character was the sidekick of a white guy. Conley’s response was to submit Strange Company, a Civil War novel featuring two
then watched the last innings of the Braves-Dodgers game. “I can take you on at the store if you like,” his granddaddy said. He cut his country fried steak with his pocket knife. “Could use the help.” He chewed, swallowed. “I’m moving on, papa.” “That the plan, is it?” “That’s the plan, yessir.” In the morning Berger came out of his old room dressed in jeans and Tony Lama boots. His granddaddy was sitting at the kitchen table drinking coffee, looking ancient and veined. “Getting on?”
physique yet a disarming smile and convivial way. He has a penchant for being helpful in any way he can. 86 Mark Powell Powell is intensely proud of his young family, and has a reputation for being an extraordinary writing teacher. His literary career is certainly off to an auspicious start. Mark Powell: A Selective Bibliography Internet Resources Mason’s Road, a literary and arts journal, features the short story “The Eye of a Needle.” The personal blog of Charles Dodd White features an
bright white paint and were known to have indoor bathrooms. The deep ditches along the road, filled with blackberry brambles and early goldenrod, ran past us like rivers. On our walks to school we put these ditches to daily use practicing Duck and Cover, which was what our teachers felt we ought to do when the Communists dropped the H-bomb. “We’ll see Indians in Tennessee,” Jack said. I knew we would. Great Mam had told me how it was. “Great Mam don’t look like an Indian,” Nathan said.